Bringing wine to the consumer is a long, risky road. From the vineyard, where weather can make or
break a vintage, through harvest and fermentation, where a wine producer can
meddle too much (and occasionally too little), to aging (how long and in what),
and finally to bottling and transport, there are hundreds of risky choices to
be made.
Bottling? What’s the
risk there? It turns out that bottling,
or rather how the bottle is sealed, can be the biggest risk of all.
That’s the story of To Cork or Not to Cork : Tradition, Romance, Science, and the Battle for the Wine
Bottle. (Don’t worry…the editor did a
better job on the rest of book than with the title.) George Taber, who previously brought us
Judgment of Paris, takes us through the history of the cork as a wine bottle
closure and the why and how of alternative closures, such as the screwcap.
Ever had a bad bottle of wine? Chances are that the wine itself was not inherently
bad. Odds are the wine was “corked”. “Corked” refers to that unpleasant,
musty, wet cardboard smell that can obliterate any other aroma that a wine
should have. Smell it once and you’ll
never forget it. (Read my own sad story about a corked wine here.)
Most often, cork taint happens when a chloroanisole (there
are different ones, the most common is trichloroanisole – TCA) is present in
the cork or, less commonly, in the cellar.
In the former case, Taber says that tainted corks affect from 3-5% of
all wines that have a cork stopper. In
the latter case, the effect on a winery can be devastating, with entire
vintages poured down the drain or, in the case of Chateau Latour, rebuilding
the entire winery.
Back in 1970s, a corked wine was a comparatively rare
occurrence. Then, starting with the 1986
vintage, a minor problem became a major one as the incidence of corked wines
shot up. Why? Worldwide demand for wine was increasing,
many new producers entered the market, and the need for the traditional bottle
closure – cork – went way up. To meet
that demand, cork producers threw quality control, which had never been their
strong point, out the window. Even more
infuriating for the wine consumer, many wine producers – even the top ones in Bordeaux – engaged in a shameful industry-wide hush
campaign, refusing to admit that any problem existed, often ascribing the
“problem” to uneducated wine-drinkers. Taber
quotes Hugh Johnson,
If all wine-drinkers recognized it, and rejected every tainted bottle, the wine-trade would go bust. It is worrying to think that its profits depend on its customers’ ignorance.
By the time I finished reading these chapters on the complacency
within the cork industry and the cover-up by wine producers, I was ready to
swear that I would never again buy a wine with a cork stopper.
This conspiracy of silence existed for 20 years, consumers
be damned! Some producers, especially in
Australia and New Zealand ,
rebelled and began to search for alternatives:
agglomerated corks (still risky for taint), synthetic and plastic corks
(poor seals, not suitable for wines meant for aging), crown caps (cheap image),
glass stoppers (elegant…my favourite), and cork’s main competitor, the
screwcap. Taber takes us through each
one of these closures, with their advantages and disadvantages.
In the case of screwcaps, the biggest disadvantage is
reduction: the airtight seal traps ongoing
chemical reactions in the bottle that can result in various unpleasant sulphur
compounds. (Cork allows these odours to escape over time
through the gradual exchange of oxygen.)
But these aromas of rubber and rotten eggs tend to be less recognizable
than cork taint.
Which is better, cork or screwcap? Which evil is lesser?
That’s where Taber leaves us. Cork
producers have improved quality control, but cork taint continues to exist
because hundreds of slipshod cork producers are still in business. Each type of closure has its rabid supporters. But none of the closures is foolproof, and
research continues.
It’s a great read and very well-researched, although you may
have to be a wine fanatic to get through every page. But if you are a fanatic, you’ll love it.
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