Thursday, March 29, 2012

Supertaster ≠ Wine Expert ≠ Supertaster


Been busy with personal stuff lately.  So while I read about the article in the March 2012 edition of American Journal of Enology and Viticulture entitled, “Wine Expertise Predicts Taste Phenotype”, it’s taken a few days to get around to commenting.


What the researchers, Gary Pickering and John Hayes, found was that the ability to taste bitterness was higher among self-identified wine experts than among wine consumers.  According to the researchers, this means that there is a higher proportion of “supertasters” among wine experts than there are among the general population.  From there, the researchers make an amazing leap.  To quote from an article in the Globe and Mail, Gary Pickering of Brock University says

A wine critic may describe the balance between, let’s say, sweetness and acidity, or sourness and astringency, or fruit and wood.  But the overall intensity of these sensations will be different for Joe Consumer, and that’s a function of his biology. It’s not because he’s not clever or smart or verbose or because he lacks lots of experience.  

But is expertise nature or nurture?  Are wine experts born supertasters or do they become supertasters, or simply become more discerning, with practice and experience?  And is Joe Consumer condemned to a life of wine unappreciation simply because he isn't a supertaster?


I immediately thought of Malcolm Gladwell’s 2008 book, Outliers:  The Story of Success.  In this book, Gladwell explains the 10,000-Hour Rule:  Skill requires lots of time…greatness requires enormous time.  Gladwell cites examples of greatness (The Beatles, Bill Gates, himself - !) who practiced and developed their skills and – eventually – their greatness, over many hours…10,000 hours.  Reaching the 10,000-Hour Rule, which Gladwell considers the key to success in any field, is a matter of practicing a specific task 20 hours of work a week for 10 years.


Although I haven’t reached greatness as a wine expert, becoming a certified sommelier required many, many hours of practice in being able to discern and describe the appearance, aromas, tastes & structure, texture, and finish of a wine.   In that time, I became far more skilled at discerning all those dimensions, but especially aromas and tastes.  I’m no supertaster, but I know that, through sheer practice, I am far more skilled at identifying aromas and tastes than Joe Consumer.  I totally disagree with Pickering's assertion that the reason that Joe Consumer cannot taste what I do isn't because “he lacks lots of experience”.  It's precisely that.    Joe just hasn’t put in the time.  And probably doesn’t want to.


I’m sympathetic to Joe’s frustration with wine tasting notes produced by wine experts who are just trying to impress themselves and each other.  I’ve written before on What’s Wrong with Tasting Notes.  Too many wine experts simply don't keep Joe Consumer in mind when writing a tasting note.  Wine reviews are no different than any other review (films, books, restaurants); you have to relate to Joe Consumer, not Evelyn Expert.


If the failure of many tasting notes were because wine experts are disproportionately supertasters, then presumably tasting notes would make sense for the 25% of the general population who are supertasters.  I don’t have any research to back this up, but my gut tells me that isn’t so.  A supertaster who hasn’t encountered an obscure taste described in a tasting note will get no more out of that tasting note than does anyone else.


And being a supertaster will not make a wine expert.  Only practice, practice, practice does.


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Wednesday, March 28, 2012

My Picks: Vintages Release ─ March 31 2012


This week’s theme from Vintages is “Easter Feasts” and Vintages continues its recent MOR (middle of the road) approach to its themes.  That’s a monopoly for you.

As is often the case, there are some hidden gems is this release and your faithful servant has sifted through them all to come up with a dozen wines worthy of your consideration.

Some of my favourite off-the-beaten-track grape varieties show up this week:  Viognier, Carmenère, and Malbec along with some obscure regions:  St-Joseph in Northern Rhone, Douro, and Roussillon.  More New World than usual, with 3 different Argentinean Malbecs.  And 3 big bruisers that top out at 15% ABV.  These can be difficult to match with food but I’ve come up with what I think works.

I’ve also included 4 wines at the end that don’t make the grade for My Picks but it might be worth taking a flyer on one or more, especially that Morgon!

Organic

FROG'S LEAP SAUVIGNON BLANC 2010, Napa Valley; #966036; Price: $27.95; 13.0% ABV
100% Sauvignon Blanc from dry-farmed, organically grown vineyards.  Fermented in stainless steel.  Frog's Leap has been farming organically since 1988.  The winemakers say, “From all of this we have learned a simple lesson: the less we interfere in the cellar with the perfectly grown clusters, the more beautiful the wine becomes.”  Exactly.


Off The Beaten Track

YALUMBA VIOGNIER 2010, Eden Valley (Australia); #954644; Price: $24.95; 13.5% ABV
100% Viognier.  Partially barrel fermented (60%) with the rest in stainless steel with indigenous yeasts.  Left to age on its lees for 10 months to give it a softer, heavier mouthfeel.  Try it with lamb curry...really!  Drink this year.

THE PARING PINOT NOIR 2009, Central Coast (California); #218958; Price: $32.95; 14.2% ABV
Burgundy Basket
100% Pinot Noir.  Aged in 35% new French oak for 11 months.  Unfined and unfiltered, so get a Burgundy basket!  Try it with duck with a sour-cherry port sauce.








Ever tried a typical Argentinean asado?  Think mixed grill.  And these 2 Malbecs are the perfect wines:

ACHAVAL FERRER MALBEC 2010, Mendoza (Argentina); #24737; Price: $23.95; 14.0% ABV
100% Malbec from 3 different vineyards.  Aged for 9 months in French Oak barrels. Bottled without fining or filtering; decanting is a good idea.

ZUCCARDI Q MALBEC 2009, Mendoza (Argentina); #723478; Price: $19.95; 14.5% ABV
100% Malbec from 3 vineyards.  Hand harvested.  Fermented with indigenous yeasts.  Maceration on the skins for 25 days, followed by Malolactic fermentation.  Aged for 12 months in new French oak barrels.  Filtered.

The next 3 alcoholic blockbusters will be excellent with slow-cooked ribs this summer:

FABRE MONTMAYOU RESERVA MALBEC 2009, Mendoza (Argentina); #261867; Price: $15.95; 15.0% ABV
100% Malbec.  Hand harvested.  Fermented with a maceration of 30 days.  Aged (40%) in French oak barrels for 12 months.  Fined with egg whites.  Best value in this release.

FALERNIA RESERVA CARMENÈRE 2007, Elqui Valley (Chile); #269175; Price: $16.95; 15.0% ABV
100% Carmenère.  Hand harvested after being left for 2 extra months on the vines.  Grapes partially dried for higher concentration.  Fermented in stainless steel tanks.  Aged (60%) in American oak for 6 months.

HECHT & BANNIER 2008; AC Côtes Du Roussillon-Villages (France); #142802; Price: $22.95; 15.0% ABV
A blend of Lladoner Pelut (aka Grenache in Catalan), Mourvèdre, Carignan, and Syrah.  Aged 20% in concrete tanks, 40% in 600-litre oak demi-muids (one and two years old), 20% in 225-litre barrels (new oak), and 20% in 225-litre barrels (one year old oak).

GUY FARGE TERRE DE GRANIT ST-JOSEPH 2009, AC St-Joseph (Northern Rhone); #270215; Price: $26.95; 12.5% ABV
100% Syrah.  Hand harvested.  Fermented with indigenous yeasts for 3 weeks.  Aged 7 months in oak.  St-Joseph is on the opposite (west) bank from where most vineyards are in the Northern Rhone Valley.  Similar to Crozes-Hermitage, their wines are excellent value, lighter, and they mature faster compared to Hermitage wines.  Drink now with grilled lamb or duck.

These next 2 wines are “go to” matches with pizza:

TASCA D'ALMERITA LAMÙRI NERO D'AVOLA 2009, IGT Sicilia (Italy); #568089; Price: $17.95; 13.5% ABV
100% Nero d’Avola.  Fermented in stainless steel tanks with maceration for 12 days, followed by Malolactic fermentation.  Aged 12 months in French oak barrels (20% new and 80% second and third use), then in bottle for 3 months before release.

MONTE DEL FRÀ TENUTA LENA DI MEZZO RIPASSO CLASSICO SUPERIORE 2008, DOC Valpolicella (Veneto, Italy); #165662; Price: $15.95; 14.0% ABV
The modern Ripasso technique:  a blend of Corvina (80%) and Rondinella (20%) grapes, left to dry to increase concentration of flavours and sugars, which also gives a higher alcohol level.  Fermented in stainless steel tanks.  After Malolactic fermentation, aged for 12 months in French oak barrels.

LA ROSA TINTO 2008, DOC Douro (Portugal); #933101; Price: $19.95; 14.0% ABV
A blend of Touriga Nacional, Touriga Franca, Tinta Barroca and Tinta Roriz (aka Tempranillo), the same Douro grapes that they use to make Port.  Fermented in small stainless steel vats and aged in French oak casks for 12 months.  Try it with a late season meat stew (beef, lamb, game) or put it away for next winter.


Extra! Extra!

MEGALOMANIAC ECCENTRIC SAVAGNIN 2010, VQA Niagara Peninsula; #273870; Price: $24.95; 12.0% ABV
Even in France, Savagnin is an oddball.  Difficult to grow, it’s related to gewürztraminer.  The vintners in Jura (eastern France) use it to produce the sherry-like Vin Jaune de Jura but this version avoids that oxidized approach.

MILLTON CRAZY BY NATURE DRY FLINT CHENIN BLANC 2009; Gisborne (New Zealand); #214429; Price: $18.95; 12.5% ABV
100% Chenin Blanc from Certified Organic and Biodynamic Grapes.

JEAN-PAUL BRUN TERRES DORÉES 2010, AC Morgon (Beaujolais, France); #264465; Price: $19.95; 12.0% ABV
100% Gamay.  If you haven’t tasted Cru Beaujolais, find out what you’ve been missing before the rest of the world does.  It doesn’t get any better than Morgon from one of the best vintners, Jean-Paul Brun.

CHÂTEAU DE TRINQUEVEDEL ROSÉ 2011, AC Tavel (Southern Rhone); #729947; Price: $17.95; 13.0% ABV
Just in case we get another heat wave…  Rosé is all they do in Tavel; it's not an afterthought!

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Friday, March 16, 2012

Carmenère Comes Home

Interesting news article at Decanter that Chateau Brane-Cantenac, a Second Growth producer in Margaux (Bordeaux), is now using Carmenère in its 2011 wine.  
Although almost never used in Bordeaux, Carmenère is a sixth variety allowed under appellation rules. It was widely-planted in the Medoc in the 19th century, and regarded as a mainstay of claret, but it is difficult to ripen and prone to disease and its popularity waned. 
Carmenère found new life in Chile, where it is now the signature grape, although it spent many years there being mistaken for Merlot.


Now, thanks to climate change, it's back in Bordeaux...if only in a very small way.


Welcome home.


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Wednesday, March 14, 2012

My Picks ─ Vintages Release March 17 2012


The last few releases from Vintages haven’t really boosted my enthusiasm.  So when this week's Vintages Release catalogue landed in my mailbox, I was delighted to see the main theme:  Flavour Fiesta – Spanish Wines & Their Perfect Pairings.  The catalogue has some interesting ideas for matching Spanish wines with food ingredients.  Some of them are classics, others are quite inventive and worth trying.

With Spanish wines, I’m a traditionalist.  Over many decades, Spanish winemakers mastered the art of using American oak in aging their wines.  Now I’m not that keen on oakyness in wine.  But what the traditionalists in Spain do is hold on to those big oaky wines until the oak has integrated into the wine, producing wonderful aromas of leather, tobacco, cedar, smoke, gamy-bacon, and earth while, in the good cases, still offering a delicious dried fruit profile.  Sometimes this takes many years, but Spanish vintners would hold onto those wines and only release them to the market when they were ready to drink.  How much more consumer friendly can you get?  

The modern approach in Spain is to use French oak, which (with its tighter grain) doesn’t contribute as much of its character to the wine.  The wines can be consumed as soon as purchased or, in many instances, cellared for a few years.  It’s more in tune with popular tastes.  But those Spanish wines can end up tasting like many other wines from around the world.  Whether that’s good or bad is up to you.  Perhaps we’re lucky that we can still sample both approaches.

Of the 15 Spanish wines in this release, 3 made the cut for My Picks, more traditional than modern.  The western end of the Iberian Peninsula makes a good showing as well, with 2 wines from Portugal.

Otherwise, it’s a thin release.  Maybe I should just pick up some Irish whiskey.

The dry spell for organic wines continues this week.


Off the Beaten Track

White

GRÓF DEGENFELD TOKAJI FURMINT 2009, (Hungary); #263905; Price: $15.95; 13.3% ABV
100% Furmint, the grapes that the Hungarians use more commonly to make their famous sweet wines.  Here they vinify the grapes to make a bone-dry, high acid wine.  Fermented (furminted?) in large first-use 500-litre barrels (60%) and in tanks (40%).  Left on its pressed skins, seeds, and stems for 4 months after fermentation, with frequent stirring.  Followed by partial Malolactic fermentation.  Look for buttery and nutty aromas with tree fruit.  Think about a tropical curry as a food match.  Drink within next 12 months.


Reds

MICHELE CHIARLO LE ORME 2009, DOCG BARBERA D'ASTI SUPERIORE (Piedmont, Italy); #265413; Price: $14.95; 13.5% ABV
100% Barbera from one of my long-time favourite producers in Piedmont.  Aged 8 months in 50-hectolitre French oak barrels, then 4 months in bottle.  Match it with any pasta in a tomato meat sauce.  Outstanding value.

QUINTA DO PORTAL GRANDE RESERVA 2006, DOC Douro (Portugal); #74666; Price: $28.95; 14.0% ABV
A blend of Touriga Nacional (50%), Touriga Roriz, aka Tempranillo (35%), and Touriga Franca (15%).  Handpicked.  Maceration and fermentation in stainless steel tanks, followed by Malolactic fermentation.  Aged 14 months in new French oak.  You can put this one in the cellar for a few more years.  Excellent with stews and braised meats.

QUINTA NOVA POMARES 2009, DOC Douro (Portugal); #214007; Price: $16.95; 13.5% ABV
A blend of Tinta Roriz, Touriga Franca and Touriga Nacional.  Fermented in stainless-steel tanks for 8 days.  Partly aged in French and American oak barrels for 6 months.  Try it with game.

BARON DE LEY GRAN RESERVA 2001, DOCa Rioja (Spain); #642496; Price: $29.95; 13.0% ABV
A blend of Tempranillo (90%) and other grapes that prefer to remain anonymous.  Handpicked.  Fermented in stainless steel with additional maceration for 10 days.  Aged 24 months in new French (50%) and American (50%) oak casks, then aged another 5 years in bottle before release.  This is an example of classic Rioja in the traditional style, one of my top favourites.  And you really can’t go wrong with grilled lamb.  Just in time for Easter!

CERRO AÑON RESERVA 2005, DOCa Rioja (Spain); #114306; Price: $18.95; 13.5% ABV
A blend of Tempranillo (80%), Garnacha (5%), Mazuelo (aka Carignan) and Graciano (15% combined).  Aged 20 months in oak casks.  Another great value.

VEGA SAUCO ADOREMUS TINTA DE TORO 2004, DO Toro (Spain); #268813; Price: $19.95; 14.0% ABV
100% Tinta de Toro, the local name for Tempranillo.  Aged 18 months in French (50%) and American (50%) oak barrels, followed by one year in bottle before release.  Roast chicken for me.

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Tuesday, March 13, 2012

Sometimes It Just Happens


Finding a perfect match of wine with food is an elusive thing.  Oh, I’m not talking about finding a wine that "goes well" with food, or vice versa.  With a little bit of training and some practice, that’s actually not that hard.

I think of wine and food matches as following a negatively skewed curve:
Bad Matches                      Good Matches

It’s possible to come up with a bad match but that’s a rarity unless you’re just not paying attention.  Most wine and food matches are good ones.  Not great but good.

But what really turns on sommeliers is finding that perfect match, a match that's at the extreme right end of that curve.  What’s a perfect match?  A local restaurateur and wine educator, Antonio Mauriello of DiVino Wine Studio, says, “The food should make you want to drink more of the wine and the wine should make you want to eat more of the food.”

Many things have to come together to find a great match.  The food has to be well prepared.  The wine has to show its best features.  Most times, I can't create a great match...when it happens, it just happens.

Last Friday morning, Michèle found some freshly caught wild pickerel at a local store.  On impulse, she bought it and found a recipe for broiled pickerel with an orange-butter sauce.

But what wine would work?  Pickerel is a medium-bodied fish.  With that kind of fish and the orange-butter sauce, I started thinking of a wine that would be medium- to full-bodied to complement the texture of the fish and the butter but with citrus aromas and flavours to complement the orange.

The choice:  GRGICH HILLS FUMÉ BLANC 2009 from Napa Valley.  14.3% ABV.  100% Biodynamic Sauvignon Blanc. What turns Sauvignon Blanc into Fumé Blanc? Oak! Fermented in 900-US-gallon oak casks (80%) and neutral (used 3+ times) French Oak barrels (20%). Aged for 6 months on its lees in neutral barrels.  


In the glass, it starts with aromas of lemon, grapefruit, orange peel, white peach, and just a hint of grassy herbaceousness and almonds.  Citrus flavours dominate on the taste with a backing note of ginger.  The intensity level of the wine's flavours match up perfectly with the orange-butter sauce.  The flavours on the finish have good length with the acidity more evident at the end, cleansing the palate.  Not a classic Sauvignon Blanc of the Loire or New Zealand schools but I don’t expect that from Fumé Blanc.  What makes it perfect is this wine's surprisingly full body.  It fits perfectly with the firm, robust texture of the fish.  And the wine goes wonderfully with the ginger basmati rice.

Superb!

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Monday, March 5, 2012

You Say Good-Bye But I Say Hello


Local long-time restaurant reviewer Anne DesBrisay announced last week that she and The Citizen have parted ways.  As she described it in her blog, she “received an email from my publisher explaining his decision to provide Citizen readers with a new voice and perspective on Ottawa’s dining out scene. He felt it was time.”  The Citizen is a business and Postmedia pays its publisher to make these decisions.  But if he fired Ms DesBrisay, a Citizen writer for 20 years, by email then he should be ashamed.

I’m not a regular (or even occasional) reader of The Citizen.   But I did make made a point of reading Anne DesBrisay’s columns, which were entertaining, informative, and free of snobbism.  She’s a graduate of LaVarenne Ecole de Cuisine in Paris and always brought that foundation of skills to her commentary.  Hers is the only food-specific blog that I recommend here.

In fact, she was the only bright light in the food and wine section of The Citizen, with its anti-wine Food editor and the increasingly cranky wine writer.  Whoever takes over the restaurant reviews at The Citizen has big shoes to fill.

But the good news is that Anne DesBrisay intends to keep on reviewing and writing.  Let’s hope that, free of The Citizen’s shackles, she’ll bring us many more years of interesting observations on the restaurant scene in Ottawa.

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